SEE Magazine
Copyright © 1998. All Rights Reserved.



Table of Contents: April 16, 1998

Issue #229:
Coffee Talk

Up Front:
Man Bites Dog Gzowski no fan of Tory caucus by SEE staff

Opinion:
Closet Universe In casssse of sssnakesss, break glasssss by A.J. Axline
Barney for PM by Mark Leiren-Young
Who does sugar daddy Ralph care for? by Robin Allen

News Front:
Are prisons sweat shops? by Richard Cairney
Consumers chasing Nike by SEE Staff

Cover Story:
The Java files by Mark Kozub

On Stage:
Dragon emerges from landfill excavation by Andrea Rabinovitch
From Bre-X to good sex by Richard Cairney
Opera in seven languages by Gilbert A. Bouchard

Music:
Music to read by by Sam Dearheart
Back to his old tricks by Stew Slater
Banks finds time to boost local talent by Sam Dearheart
Maybe now they'll go to Vegas by Stew Slater
Remix Edmonton's Electronic Dance And Urban Report
Remix Love Inc. set for takeover by Darryl Rodway
Remix Reviews Get hit by locomotive 433 by Darryl Rodway
Sounding Off Allende draws from Cuban greats by Kirby
Rusty chooses to rock by Shelli Carder
Will that be math or music? by Jerry Ozipko
HMV Spins Putumayo: the world on a disc by SEE Staff
Club Conscious Big, but not just country by Colm Heaney

In Print:
Stripped Down Acme novelty library: smartest comic on earth by Darren Zenko
Pink Floyd for dummies by Adrian Lackey
$15-million Heritage grant sparks publishing projects by Colm Heaney
Book Day combines literature, business by SEE staff
Author makes opera easy by Gilbert A. Bouchard

On the Web:
Microsoft sets standards, faces legal backlash by Richard Cairney

Visual Arts:
Return to ritual by Jasmine Pui

On Screen:
Scooby Ewan gets a job by Darren Zenko
Fresh look at faith by Colm Heaney
Fingering film's flaw by Adrian Lackey
Thief perfect kick-off for caper series by A.J. Axline

On The Menu:
You don't get all the extras, but you get the great taste of India by Gilbert A. Bouchard

At the Back:
My Messy Bedroom Wind me up by Josey Vogels
Sub-Atomic Humor Stones: not as old as the Titanic by Paul Mather


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